In this paper I argue for the "incompleteness thesis" of Kant's General Metaphysics before completing a full analysis of the power of judgment which only occurred in the Critique of Judgment-Power. Kant scholars have argued that Kant's General Metaphysics was completed with the Critique of Pure Reason and the Third Critique added nothing significant to this quest. One of the issues in this paper is to understand Kant's various "transition problems" and their solution to unify knowledge under a metaphysics, all (...) of which has implications for the natural and cognitive sciences even today. (shrink)

I argue that once one holds (as Kant does) that the mind is equipped with innate, pre-existing, i.e. a priori structures, one can ask (as materialists or empiricists would), Is there an identifiable source of such structures and what does it imply? Already Schopenhauer, Moses Mendelssohn and others have taken that route of argument, without fully drawing the implications. In this paper I attempt to do so, posing the query: Is Kant's very explicit separation of the transcendent from the transcendental (...) necessary in his critical system? I try to answer from various perspectives. (shrink)

KANT AND HEGEL FIND THEMSELVES ON SIMILAR PATHS toward their respective goals to give a total account of reality. They share a deep commitment to science, Wissenschaftlichkeit, and raise the question: Where does science begin? Similarly, they answer: It begins with sense knowledge yet it is not founded in the senses. This essay attempts to reflect on, with the aim of cautiously reassessing, the nonsensible, universal features of sense experience from an idealist perspective. A study of the “science of sensibility,” (...) raised to new levels of interest in recent debates of how the mind works, seems to have lost nothing of its fascination, indeed urgency in contemporary discussions, in the Kant-Hegel scholarship, in the philosophy of mind, philosophy of science as well as the natural and cognitive sciences in general. (shrink)

This study focuses on Kant's attempt to find the link between feeling and cognition on a priori grounds in the three Critiques to make philosophical judgment possible. As such it treats the area of aesthetics and its formal principles. This work explores the enigma: How is it that Kant values the talent to judge more than understanding and reason; indeed the lack of it «no school can make good». Yet, even though Kant demonstrates how a priori synthetic judgments and a (...) priori moral judgments are possible as particular pronouncements, he analyzes the power of judgment itself as an independent faculty only in the last Critique. The author argues that the aesthetic factor plays a recalcitrant, yet vital and necessary role in all human judging. Finding an adequate niche for feeling and its a priori principles becomes a key problem not just for Kant but for the entire philosophical enterprise. (shrink)

This essay deals with a particularly recalcitrant problem in the history of ideas, that of irrationalism. It emerged to full consciousness in mid-eighteenth century thought. Irrationalism was a logical consequence of individualism which in turn was a direct outcome of the Cartesian self-reflective subject. In time these tendencies produced the "critical" Zeitgeist and the "epoch of taste" during which Kant began thinking about such matters. Like Alfred Bäumler, I argue that irrationalism could not have arisen in ancient or medieval philosophical (...) discourse, as they both lacked a certain type of rationalism required as its conceptual antipode. Only after the Lisbon earthquake (1755), and the ensuing reason vs. passion debate acknowledging for the first time both human powers as equal contenders, did the specter of irrationalism arise and become a focus. Kant's revolution in thought produced "transcendental psychology" reconciling "pure" sensibility and "pure" reason and provided, I argue, the conceptual wherewithal to grant aesthetic feeling and irrationalism a philosophical niche. (shrink)

Kant's theory of judgment establishes the conceptual framework for understanding the subtle relationships between the experimental scientist, the modern instrument, and nature's atomic particles. The principle of purposiveness which governs judgment has also a role in implicitly guiding modern experimental science. In Part 1 we explore Kant's philosophy of science as he shows how knowledge of material nature and unobservable entities is possible. In Part 2 we examine the way in which Kant's treatment of judgment, with its operating principle of (...) purposiveness, enters into his critical project and underlies the possibility of rational science. In Part 3 we show that the centrality given to judgment in Kant's conception of science provides philosophical insight into the investigation of atomic substances in modern chemistry. (shrink)

Robert Greenberg offers an intricate, highly original reading of Kant’s first Critique on what constitutes the possibility of a priori knowledge. One of the book’s main features, ambitious in scope, is the author’s extensive polemic against mainstream Anglophone approaches to Kant’s position on a priori knowledge. Many of them have, according to Greenberg, fundamentally misunderstood Kant’s theory of transcendental idealism. In particular, Greenberg sees Peter Strawson’s epochmaking classic, The Bounds of Sense—An Essay on Kant’s Critique of Pure Reason as a (...) leitfaden for other similarly misguided interpretations. Most Anglo-American accounts hold that for Kant’s critical project to have any viability at all it cannot be taken as an attempt to show the possibility of a priori knowledge as such, but rather to spell out the conditions for empirical knowledge. Greenberg gives examples: Strawson believes that Kant’s transcendental idealism is unsustainable because the central “principle of significance” perishes from its own internal contradictions. Likewise, Henry Allison’s interpretations replace the dualism of transcendental idealism by a monism built around the empirical object. Greenberg faults other “ Customary Interpretations of Kant’s Ontology”, those of Karl Ameriks, Richard Aquila, Paul Guyer, Patricia Kitcher, among others, on grounds of having misread Kant’s ontology vis à vis his transcendental epistemology. (shrink)

Janine Langan's Hegel and Mallarmé represents an analysis of Stéphane Mallarmé's pervasive, if "mysterious" Hegelianism which underlies, by the French symbolist's own admission, his total work. The author attempts to demystify the Hegelian substructure in Mallarmé by a careful examination and step-by-step description of the salient Hegelian elements. The latter task is accomplished by de voting a good part of the work to Mallarmé's longest poem "Un coup de dés jamais n'abolira le hasard," which has at times been considered the (...) "quintessence of unintelligibility," but which exemplifies a sustained, if covert, Hegelian-like structure and science-like system. Langan combines an instinct for comparative literature with an astuteness at recognizing philosophical implications to demonstrate the unmistakable affinity between the poet and the philosopher. In light of the reluctance of contemporary philosophers in general to venture into uncharted "foreign" territory of diverse disciplines, Langan's foray is particularly noteworthy. (shrink)

Appraisal theory has become one of the most active aproaches in the domain of emotion psychology. The appraisal process consists of the subjective evaluation that occurs during the individual's encounter with significant events in the environment, determining the nature of the emotional reaction and experience. The organism's interpretation of events and situations elicits and differentiates its emotional responses, although the exact processes involved and the limits of the theory are still a matter of debate and are currently the object of (...) active research. This volume is intended to become the primary source of information on appraisal for all those interested in emotion, from beginning graduate students to accomplished researchers in emotion psychology. (shrink)

By attempting to divorce attributions of value from judgments of the interest of the attributor, developing the concept ofa locus of value, exploring the interconnections between the goods of individuals and the goods of populations and species, and suggesting the reasonableness ofthe attributions of rights to certain sorts of individuals, I try to indicate the degree to which an environmental ethic can be atomisticwithout being anthropocentric.

Critiques of ecological restoration have rested on the human/natural distinction. In opposition to the difficulties involved in that distinction, I provide a sketch of an evolutionary account of human existence. The instability of environments—beyond individual human control—conditions human life and sets the dynamic for human action. Human interdependence makes human monitoring of human interaction central. I interpret Leopold as concerned about the divergence between ecosystemic and economic value. In the face of reiterative prisoners’ dilemmas arising significantly from problems of scale, (...) the moral imperative is the creation of practices that tolerate ecosystemic degradation minimally and those only in the face of threats to human existence. Against this background, I show that the value of ecological restoration is ambivalent. (shrink)

Das neue Buch des bereits mit zahlreichen Arbeiten besonders zum Vierten Kreuzzug hervorgetretenen Autors setzt sich aus drei unterschiedlichen, wenn auch eng miteinander verwobenen Teilen zusammen: einer Untersuchung zur Familie und zur Biographie des Dogen Enrico Dandolo, einer Darstellung von Politik und Verfassungsgeschichte Venedigs im 12. Jahrhundert und einer Geschichte des Vierten Kreuzzugs. Die Erzähl- und Argumentationsstränge der drei Teile sind vielfach miteinander verschränkt und verfolgen gemeinsam ein viertes Ziel: anschaulich zu machen, daß die politischen und verfassungsrechtlichen Entwicklungen des 12. (...) Jahrhunderts, besonders aber die mit der Person des Enrico Dandolo eng verbundenen Geschehnisse des Vierten Kreuzzugs die Stadt Venedig fundamental veränderten und sie von einer Kaufmannsrepublik (merchant republic) zu einer Seemacht (maritime empire) werden ließen. (shrink)

Over the last century, emotion research has been beset by the problem of major disagreements with respect to the definition of the phenomenon and an abundance of different theories. Arguably, these divergences have had adverse effects on theory development, on the theoretical foundations of empirical research, and on knowledge accumulation in the study of emotion. Similar problems have been encountered in other areas of behavioural science. Increasingly, there have been calls to work towards some form of theory integration. In contrast, (...) here an effort is made to show that a reasonable degree of theory convergence in the area of emotion science can be attained by adopting a design feature-based working definition of emotion and highlighting the basic agreement on the components of the dynamic emotion process. The aim is to invite constructive discussion on communalities and divergences between different theories and foster the development of more complementary theoretical frameworks to guide future empirical research. (shrink)

René Schérer’s Hospitalités (2004) is a series of philosophical peregrinations that build on his work Zeus hospitalier: éloge de l’hospitalité (1993; Hospitable Zeus: In Praise of Hospitality). In the first translated excerpt below, Foreword, Schérer introduces his present volume and situates it with respect to Zeus hospitalier. In the second translated excerpt, Reason Astray, he elaborates on his interpretation of the role of hospitality in Immanuel Kant’s “To Perpetual Peace: a Philosophical Sketch” (1795), briefly introduced in the first excerpt.

Research on facial emotion expression has mostly focused on emotion recognition, assuming that a small number of discrete emotions is elicited and expressed via prototypical facial muscle configurations as captured in still photographs. These are expected to be recognized by observers, presumably via template matching. In contrast, appraisal theories of emotion propose a more dynamic approach, suggesting that specific elements of facial expressions are directly produced by the result of certain appraisals and predicting the facial patterns to be expected for (...) certain appraisal configurations. This approach has recently been extended to emotion perception, claiming that observers first infer individual appraisals and only then make categorical emotion judgments based on the estimated appraisal patterns, using semantic inference rules. Here we report two related studies to empirically investigate the facial action unit configurations that are used by actors to convey specific emotions in short affect bursts and to examine to what extent observers can infer a person’s emotions from the predicted facial expression configurations. The results show that 1) professional actors use many of the predicted facial action unit patterns to enact systematically specified appraisal outcomes in a realistic scenario setting, and 2) naïve observers infer the respective emotions based on highly similar facial movement configurations with a degree of accuracy comparable to earlier research findings. Based on estimates of underlying appraisal criteria for the different emotions we conclude that the patterns of facial action units identified in this research correspond largely to prior predictions and encourage further research on appraisal-driven expression and inference. (shrink)

We disagree with Juslin & Vll's (J&V's) thesis that music-evoked emotions are indistinguishable from other emotions in both their nature and underlying mechanisms and that music just induces some emotions more frequently than others. Empirical evidence suggests that frequency differences reflect the specific nature of music-evoked emotions: aesthetic and reactive rather than utilitarian and proactive. Additional mechanisms and determinants are suggested as predictors of emotions triggered by music.

: We discuss the role that transnational corporations should play in developing global governance, creating a framework of rules and regulations for the global economy. The central issue is whether TNCs should provide global rules and guarantee individual citizenship rights, or instead focus on maximizing profits. First, we describe the problems arising from the globalization process that affect the relationship between public rules and private firms. Next we consider the position of economic and management theories in relation to the social (...) responsibility of the firm. We argue that instrumental stakeholder theory and business and society research can only partially solve the global governance issue, and that more recent concepts of corporate citizenship and republican business ethics deliver theoretically and practically helpful, fresh insights. However, even these need further development, especially with regard to the legitimacy of corporate political activity. (shrink)

Appraisal theories of emotion, and particularly the Component Process Model, claim that the different components of the emotion process (action tendencies, physiological reactions, expressions, and feeling experiences) are essentially driven by the results of cognitive appraisals and that the feeling component constitutes a central integration and representation of these processes. Given the complexity of the proposed architecture, comprehensive experimental tests of these predictions are difficult to perform and to date are lacking. Encouraged by the “lexical sedimentation” hypothesis, here we propose (...) an indirect examination of the compatibility of the theoretical assumptions with the semantic structure of a set of major emotion words as measured in a cross-language and cross-cultural study. Specifically, we performed a secondary analysis of the large-scale data set with ratings of affective features covering all components of the emotion process for 24 emotion words in 27 countries, constituting profiles of emotion-specific appraisals, action tendencies, physiological reactions, expressions, and feeling experiences. The results of a series of hierarchical regression analyses to examine the prediction of the theoretical model are highly consistent with the claim that appraisal patterns determine the structure of the response components, which in turn predict central dimensions of the feeling component. (shrink)

Emotion regulation, and in particular cognitive reappraisal. Gross has been booming in theory development and empirical research for the last two decades. A large number of publications have demonstrated the importance of these mechanisms for understanding and promoting well-being and mental health. It is thus timely for Cognition and Emotion to examine the current state of theory in this domain. The resultant invited article, authored by Uusberg, A., Ford, Uusberg, H., and Gross, aims to expand the scope of reappraisal theory (...) by extending their recent reAppraisal model by suggesting different forms of goal commitment and situation construals. Their suggestions are commented on by Kashdan and Goodman from a purpose in life perspective, Ehring, and Woud from a clinical psychopathology perspective. In this editorial, I briefly discuss the lack of specification of the goal construct, which is central to the reappraisal model. Moreover, I point to recent evidence showing that problems may arise because of appraisal biases, in the case of individuals prone to inappropriate evaluations of situations. I suggest that future work in this domain could benefit from increased interaction between theorists and researchers working on appraisal and reappraisal processes. (shrink)

We highlight the need to focus on the underlying determinants and production mechanisms to fully understand the nature of facial expression of emotion and to settle the theoretical debate about the meaning of motor expression. Although emotion theorists have generally remained rather vague about the details of the process, this has been a central concern of componential appraisal theories. We describe the fundamental assumptions and predictions of this approach regarding the patterning of facial expressions for different emotions. We also review (...) recent evidence for the assumption that specific facial muscle movements may be reliable symptoms of certain appraisal outcomes and that facial expressions unfold over time on the basis of a sequence of appraisal check results. (shrink)

Die Rede ist von einer merkwürdigen Variante deutscher Italiensehnsucht: Dem Wunsch, in Rom begraben zu werden, der im Fall Wilhelm von Humboldts mit einem konkreten Glücksgefühl korreliert. Das ist schon deshalb bemerkenswert, weil Humboldts römischer Aufenthalt vom Sterben dreier seiner Kinder und seines Freundes Schiller überschattet wurde. Die Frage nach dem Niederschlag, den die Auseinandersetzung mit dem Tod in Humboldts Texten fand, rekonstruiert die vorliegende Untersuchung als Form einer Werkpolitik, die es unternimmt, den eigenen Nachruhm in verschiedenen Diskursen zu steuern. (...) Humboldts Terminologie, die den christlich besetzten Begriff,Unsterblichkeit? durch den Begriff,Unendlichkeit? ersetzt, wird in sechs privilegierten Lektüren nachgegangen. (shrink)

This volume is a comprehensive roadmap to the burgeoning area of affective sciences, which now spans several disciplines. The Handbook brings together, for the first time, the various strands of inquiry and latest research in the scientific study of the relationship between the mechanisms of the brain and the psychology of mind. In recent years, scientists have made considerable advances in understanding how brain processes shape emotions and are changed by human emotion. Drawing on a wide range of neuroimaging techniques, (...) neuropsychological assessment, and clinical research, scientists are beginning to understand the biological mechanisms for emotions. As a result, researchers are gaining insight into such compelling questions as: How do people experience life emotionally? Why do people respond so differently to the same experiences? What can the face tell us about internal states? How does emotion in significant social relationships influence health? Are there basic emotions common to all humans? This volume brings together the most eminent scholars in the field to present, in sixty original chapters, the latest research and theories in the field. The book is divided into ten sections: Neuroscience; Autonomic Psychophysiology; Genetics and Development; Expression; Components of Emotion; Personality; Emotion and Social Processes; Adaptation, Culture, and Evolution; Emotion and Psychopathology; and Emotion and Health. This major new volume will be an invaluable resource for researchers that will define affective sciences for the next decade. (shrink)

Emotion is conceptualised as an emergent, dynamic process based on an individual's subjective appraisal of significant events. It is argued that theoretical models of emotion need to propose an architecture that reflects the essential nature and functions of emotion as a psychobiological and cultural adaptation mechanism. One proposal for such a model and its underlying dynamic architecture, the component process model, is briefly sketched and compared with some of its major competitors. Recent empirical evidence in support of the model is (...) reviewed. Special emphasis is given to the dynamic aspect of emotion processes, in particular the sequence of appraisal checks and the synchronisation of response systems, as well as the capacity of the model to predict individual differences in emotional responding. (shrink)

In this paper we discuss the issue of the processes potentially underlying the emergence of emotional consciousness in the light of theoretical considerations and empirical evidence. First, we argue that componential emotion models, and specifically the Component Process Model , may be better able to account for the emergence of feelings than basic emotion or dimensional models. Second, we advance the hypothesis that consciousness of emotional reactions emerges when lower levels of processing are not sufficient to cope with the event (...) and regulate the emotional process, particularly when the degree of synchronization between the components reaches a critical level and duration. Third, we review recent neuroscience evidence that bolsters our claim of the central importance of the synchronization of neuronal assemblies at different levels of processing. (shrink)

Following Yik and Russell (1999) a judgement paradigm was used to examine to what extent differential accuracy of recognition of facial expressions allows evaluation of the well-foundedness of different theoretical views on emotional expression. Observers judged photos showing facial expressions of seven emotions on the basis of: (1) discrete emotion categories; (2) social message types; (3) appraisal results; or (4) action tendencies, and rated their confidence in making choices. Emotion categories and appraisals were judged significantly more accurately and confidently than (...) messages or action tendencies. These results do not support claims of primacy for message or action tendency views of facial expression. Based on a componential model of emotion it is suggested that judges can infer components from categories and vice versa. (shrink)